Rooster premiere recap: “Release The Brown Fat”
Pressing play on recent Bill Lawrence projects guarantees a main character experiencing a midlife crisis and their heartfelt/hilarious attempts to start fresh. You can’t really begrudge him for finding a narrative lane that is universally relatable. J.D. (Zach Braff) and Turk (Donald Faison) reckon with modern medicine on familiar turf in the Scrubs revival. In Bad Monkey, Vince Vaughn’s PI feels lost without his police badge and hopes solving a big case will fix the problem. Lawrence skillfully navigates similar themes without the work getting too repetitive. However, his latest offering does raise comparisons in tone and purpose to Ted Lasso and Shrinking. HBO’s Rooster, which he co-created with frequent collaborator Matt Tarses, has all the ingredients familiar to fans of both dramedies. It’s comforting, as well as a detriment, as we’ve kind of seen this before. But it’s not like Rooster doesn’t have promise.
“Release The Brown Fat” has the pitfalls of a premiere whose job is to establish the show’s world and those who populate it instead of presenting a cohesive, confident story. It’s an exposition-heavy setup for Steve Carell’s sweet but stuck-in-life Greg Russo, whose path to a new beginning comes by the way of a job offer, a hot poetry professor, and a house fire. Much like Ted Lasso (Jason Sudeikis), Greg needs a career pivot—even though he won’t necessarily admit it—because he seems to think the best he can do is write the beach read murder mysteries that made him popular. And like Shrinking‘s Jimmy (Jason Segel), he’s desperate to reconnect with his daughter—in Greg’s case, Katie (Charly Clive), who teaches art at the liberal Ludlow College. He gets a one-shot solution because, when he’s invited to be a guest speaker there, he’s also asked to be Ludlow’s writer-in-residence. He refuses the gig at first, but by the end of episode one, circumstances will likely make him change his mind.
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